Bayonetta’s Leg-Swinging, Face-Breaking Encore

As is the great curse of every artist, the critic gets the last word. For the burlesque dancer Bayonetta, the Omnitient Critic grades her revue on a six-point scale of dirty Stone to Pure Platinum. It’s a good thing that her routine was so incredibly well choreographed that she can test it against her newest dancing partner, the mysterious and powerful Lumen Sage. The purity of the battle system comes alive against an evenly matched opponent and the vast armies of Paradiso and the hordes of Inferno, on the path to save the soul of a lost friend. So let’s look closer at our provocateurs moves and understand why they steal the show.

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Bayonetta’s High-Flying, Pistol-Stiletto Burlesque

Lights Down, Curtain’s Up

Bayonetta’s prologue starts conservatively, with a nun clad in white quietly praying over a grave. It primes the world’s Victorian aesthetics with a puritanical morality up front that wouldn’t fool anyone who had seen even the box art. That a flock of angels descend from heaven and attack, cutting the clean fabric and revealing the scantily-clad Umbran Witch underneath who responds by flying through the air, using the two guns in her fists and the two on her feet to shoot most of them in the head and scissoring her legs around another’s, is perhaps the proper way to open the show.

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