Contra: Hard Corps opens to a robotic army assaulting a sprawling future city only to be decimated by a charging tank that ejects your character guns blazing into an active warzone. Not only does this succinctly indicate where the games tonal priorities are, it’s also the designers giving you some honest advice: charge forward until every enemy is demolished. Hard Corps distilled Alien War’s brazen creativity down to its run and gun foundation, creating a single minded epic that is equal parts twitch shooter and blockbuster action flick.
Policenauts was the perfect game to introduce the world to Hideo Kojima’s visual style and keen eye for editing a trailer. Unlike other games at the time, every screenshot from the 1994 ‘Interactive Movie’ could have been ripped from an anime, this one the tale of a man lost in space for the first twenty five years of humanity’s move into off-world colonies. It’s Lethal Weapon in the Gundam timeline with an Aliens setup, starring a blue-haired Mel Gibson. The trailer claims Policenauts is ‘The Next Generation of Snatcher’.
The fact that The Firemen exists is a weird thing. An action game about battling rampaging fires, it shows developer Human Entertainment’s love of the seemingly never-ending onslaught of B-grade action movies that Hollywood farted out in the 80’s. Think Die Hard minus all the cowboy stuff (so not really Die Hard at all, I guess). What’s tragic is that this super American gem never made it State-side. It’s a product that on paper shouldn’t be half as great as it is, and on your SNES shouldn’t have really even ever come out.Continue reading “The Firemen: Into the Fire”